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Daniel Sawyer Posts

Published: Verse-Craft, Editing, and the Work

The unbeginning of Orfeo in one copy: Edinburgh, National Library of Scotland, Adv. MS 19.2.1, f. 300r.

The Review of English Studies has just published my latest article, ‘Verse-Craft, Editing, and the Work: Shadows of Orfeo‘. In it, I explore what potential the concept of the work has to help us in understanding early English material which exists in multiple witnesses, using Orfeo as my example and attention to the craft of verse as my method.

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Pearl and Thom Gunn’s ‘Lament’

Pearl ll. 1165–70, as they appear in the sole surviving copy: London, British Library, MS Cotton Nero A.x, f. 55r.
Pearl ll. 1165–70, as they appear in the sole surviving copy: London, British Library, MS Cotton Nero A.x, f. 55r.

I don’t normally find myself writing about Thom Gunn’s poetry. But I like Gunn, and while reading The Man with Night Sweats earlier this year I stumbled on a passage in ‘Lament’ which sounded insistently like the end of Pearl.

Could this be an allusion, or was my mind merely seeing Pearl everywhere? I tweeted, and friends agreed that there might be a there there. Looking more closely, I realised that ‘Lament’ displays some formal resemblances to Pearl too. It was time to write a note.

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Published: Reading English Verse in Manuscript

My book, and a facsimile of Bodleian MS Fairfax 16

My new book was published this month. Reading English Verse in Manuscript c.1350–c.1500 can be ordered from OUP here, and, in the UK, at the time of writing, Blackwell’s are selling it for about £5 less.

This is in a sense ‘the book of the doctorate’, but it’s changed a great deal since I received my DPhil. The book is shorter, clearer and punchier. It draws on a significantly larger mass of evidence and corrects various errors and fuzzinesses in the doctoral work. And none of it has been published elsewhere: this is not a monograph whose most exciting chapter can be found as an earlier article.

Here is the blurb:

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